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The manager was hesitant to let me take any photos of the Thana Cineplex, as is company policy. It took an explanation as to my intentions and letting her see some photos of other theaters I'd photographed before she changed her tune, and only then if I shot from afar. Under no condition, however, was I allowed to bring the camera into the theater during showtime. I left it at the ticket booth.
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Another reason I love these old theaters: modern multiplexes in Thailand are seldom ever built in the middle of the town. On the occasion that they are, like a number of them in Bangkok and one in Chiang Mai, they are atop shopping malls and generally designed with the intention of having viewers drive into a parking garage to get there. In other words, the moviegoer doesn't have to touch the streets to get to the theater. Here, on the other hand, after watching the beautifully shot gore fest of Meat Grinder (a Pranakorn Films production, which is a subsidiary of the Thana company) I left the theater and was immediately deposited in the center of a deserted city. The walk back to my hotel, past shuttered shops and restaurants, through the empty streets of Payao, gave me the opportunity to digest what I had just seen unburdened by the responsibilities of driving. As contrived as it may seem, that solitary stroll, amplified by the lingering effects of cinema, was both exhilarating and sobering at the same time.
For the 60 baht price of a ticket I was given a theater going experience that I'll never forget.
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