The south of Thailand, including those provinces now battered by insurgency, has a fairly cosmopolitan history if viewed in terms of its economy. While the northerly reaches of the country, to a large extent, remained inaccessible to long distance traders, the coastal south developed pockets of great wealth by way of long distance maritime commerce.
In centuries passed, Chinese junks could be found plying the waters of Southern Thailand in search of markets for their wares. On their return voyages they would be stocked with forest products from the Southern Thai hinterlands. Arab, Indian, Malay and European traders likewise found commercial interests in the coastal south. The most successful among them often set up depots when the market demanded it, encouraged to do so by monarchs in Bangkok and local lords.
The 19th century witnessed a tin mining boom centered on the island of Phuket create further fortunes. And as the worldwide demand for rubber spread, rubber tree plantations proliferated across the South.
In short, that elongated arm of a peninsula that is Southern Thailand has been generating prosperity from multiple sources for centuries. When cinema took hold as a popular medium of entertainment, the South would have had a robust and well established monied class who could invest in such technology.
Today, as is the case with the rest of the country, movie exhibition in the South is dominated by the mega-chains, SF and Major. But bits and pieces of a more localized movie theater industry can still be found. The remains of Nakorn Sithammarat's Wirot Rama attests to that.
The concrete molded signage at the Wirot Rama hints at an early 1960's birth. Possibly earlier.
A phantom marquee and a frame used for suspending hoardings still hang over the entrance to the structure.
The Wirot Rama is definitely not an architectural treasure, but it tells a story of passed times all the same.
The former theater is now a dry goods market called the "Indian Market," perhaps an indication that it had Indian ownership. Meanwhile, the still extant metal frame bolted to the facade would have masked the blandness of the architecture in a profusion of hand-pained color.
Looking from theater towards the street.
The details
Wirot Rama's past, to say nothing of Southern Thailand's movie theater history, lies beyond my field of expertise. These images were generously produced and passed along by a favorite comrade of mine, who happened to come across it while working.
Suffice to say, Southern Thailand's movie theater history is indeed in need of chronicling and documenting. May that opportunity soon find its way hither.