Myanmar is stuffed to the gills with towns of this gauge; places that have not yet been reconfigured to accommodate car traffic, or otherwise augmented to conform with the often deadening logic of modern city planning schemes. Thoroughfares in such towns are almost always narrow. In Paung, the term lane best defines its roadways. Mature trees are everywhere, engulfing the mostly wooden building stock in comfortable shade. Along the most narrow of lanes, an elfin quality pervades. Miniature little places for happy people, living among the trees, whistling while they work. No, not really, but you too might succumb to such fantasy if you experienced it as I did.
Unfortunately, most of what I saw of the town came while being whisked around on the back of a motorcycle, leaving little chance of documenting this gnome-scaled city in all its diminutive glory. When I dismounted, it was in front of the Sein Cinema, which occupied all of my attention from then on out.
Unsurprisingly, the Sein Cinema is on one of the more ample roadways in Paung. Not the best representation of what this town is all about. But not the worst either. In reviewing these pictures, taken back in February, I'm reminded that even a typically grand structure like a movie theaters is scaled down for a fairytale land like Paung.
The Sein Cinema in streetscape context. The charm of towns like Paung come from a pre-industrial scale and aesthetic, and are compounded by the general lack of cars. But that's not likely to last much longer.
Reflecting the internationalism of the times, graffiti for the band Slipknot is scrawled on the facade of the theater
Signage
The Sein Theater reflects the cottage atmosphere of Paung at
large. It’s neither grand and imposing, nor decorated in such a way as to
distinguish it as cinema. From the exterior, it looks like a private home. If
not for the sign mounted beneath the gable, it very well might be mistaken for
that.
But along the side of the building, beyond a pair of folding
wooden doors, lies the auditorium. Therein the elfin quality found throughout
town in revisited. Everything about it feels hand crafted, one of a kind, and
of course, built for pint-sized patrons.
Once inside the Sein, the handcrafted nature of it construction becomes obvious. Though only dating back to the 1980's, it feels like it could have been built in the 1920's or 30's.
Wooden chairs comprise the seating in the balcony.
Straight-on facade shot of the Sein Cinema. Sein means diamond in Burmese.
That’s what makes these old school movie theaters of Myanmar so enticing. Because of the local craftsmanship involved, from the minute décor to the functional parts, it is endowed with a strong identity and sense of place. There is no other theater in the world that is quite like this one, and the same goes for the majority of the others.
In a globalized, somewhat homogenized world, that is hard to find.
Couldn't resist a shot with the gang of kids that followed me around while photographing the Sein.
Sweet. Nice to see a place with buildings on a human scale.
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