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RIP
Michael Jackson
An old marquee is all the remaining evidence visible from the street.
Ticket booth inside the front portion of the structure, off the street. There were two ticket booths, the other directly across from this one.
The stairs going away from the picture leads to private residences, while the ones coming in lead to the balcony, projection booth and office space. This picture was taken from between the front portion of the building and the auditorium.
Remains of the projection room.
Looking towards what once was the auditorium. It's now a parking lot.
This is Mr. Paitung Cherngphitak, a life long resident of Chinatown and my source of information on the Yaowarat Ching Hua Theater. He runs a noodle stand inside the front corridor. Not to contradict Paitung, but I question whether he's correct about the theater being funded by a member of the royal family. At that time the royals and Chinese community were at odds with each other. Growing Thai nationalism, spearheaded by members of the royal family and other indigenous elites, regarded the Chinese community as an alien threat to the country, and potential usurpers of the throne. It would seem incongruous for a royal family member to build a Peking Opera theater in the middle of the biggest Chinese immigrant community in the country. But then again, maybe it was gift of appeasement. Thai politics has always seemed convoluted to me.
Countless pedestrians have strolled past this building, oblivious to the fact that for a long time it was the only venue in Chiang Khong for locals to spend their leisure time. Yes, from 1962 until about 1990 the Chiang Khong Rama was this sleepy Mekong town's portal into another world.
With deepest regret for the loss of Mitr ChaibanchaMitr's death is considered the saddest day in the history of the Thai film indstry.
Chiang Khong Rama Theater and Mitrasilp Photo Studio
The sign in the middle of the above photo advertises the Phahol Theater. Take note of the skyscrapers that flank both sides of Phaholyothin Road in the background of this photo. Sooner or later the northward spread of redevelopment will lead to the demolition of most structures in the aging Saphan Kwai neighborhood pictured in the foreground. The Phahol Theater will likely be included.
With its architectural details barely altered since its completion in the early 1950's, the Phaholyothin Rama Theater is a true Bangkok classic. It once competed with its erstwhile cross-street rival the Mongkol Rama Theater for the area's movie-goers. The Phaholyothin Rama specialized in films from the Hong Kong-based Shaw Brothers studio.
The most detailed and comprehensive information about Bangkok's cinemas during the 1920's comes from Sayam palimen (Siamese Parliament), a column that appeared in the weekly film magazine Phaphayon Sayam...
Broadly speaking, the image of the Bangkok movie houses that emerges from these accounts is one of rampant squalor and anarchic, disorderly behavior. Sanitary conditions and the comfort of patrons were apparently not of prime consideration of the cinema owners. Numerous letters appeared in the columns complaining about the vermin that infested most theaters. The Nang Lerng Cinema, owned and operated by Siaw's Siam Cinema Company, was particularly notorious in this respect. As one writer complained after a visit, "you could see people refusing to sit down on their seats because of the filth, while some of those who did sit down soon began scratching themselves." In the Banglamphu Cinema, another one of the company's theaters, urine flowed freely across the floor and the pungent odor of excrement wafted through the air.
This Caltex station also has a car wash in it. It employs a good dozen people.
Old marquee, rusting away.
This little boy's mother, a car wash employee, urged me to take his photo. A crowd gathered around, cajoling him to crack a smile for the the camera. Moments later he burst into tears.
A spirit house stands in front of the old Jan Theater in this alley perspective.